It is perhaps emblematic of this changing and unpredictable climate, then, that one of its most effective anti-war polemics came from the seemingly unconnected world of Japanese anime. Bush’s rhetoric of freedom and liberation, to the most infamous signifier of this period, the 2003 invasion of Iraq, the response to 9/11 forged a climate of militarism and authoritarianism that had little concern for its victims. From the Patriots Act, which allowed the government to spy on citizens, to President George W. On September 10th 2001 no one could have predicted the catastrophic events of the following day or how they would shape the political climate of the 21st Century. In the third edition of Studio Ghibli Sundays, Nick Griffin looks at how Studio Ghibli tackled the War on Terror with Howl’s Moving Castle.
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